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From “dominant” to “community” archives: a new way of shaping collective memory
From “dominant” to “community” archives: a new way of shaping collective memory

Taras Nazaruk

“Oneg Shabbat”, the story of the Warsaw ghetto secret archive: an interview with Polish historian Katarzyna Person
“Oneg Shabbat”, the story of the Warsaw ghetto secret archive: an interview with Polish historian Katarzyna Person

Liana Blikharska

Not in a single voice: my generation’s task of writing Syria’s history
Not in a single voice: my generation’s task of writing Syria’s history

Jelnar Ahmad

How much can we trust The Archive?
How much can we trust The Archive?

István Rév

1980s Lviv, in five photographs by Mykhailo Frantsuzov
1980s Lviv, in five photographs by Mykhailo Frantsuzov

Bohdan Shumylovych

The power of the camera and archives: a documentary about Leni Riefenstahl
The power of the camera and archives: a documentary about Leni Riefenstahl

Daria Badior

Ludwig Wittgenstein. “If an orange could speak”: genius and other nonsense
Ludwig Wittgenstein. “If an orange could speak”: genius and other nonsense

Borys Filonenko

Empathy as a response to dark political forces: an interview with Agnieszka Holland
Empathy as a response to dark political forces: an interview with Agnieszka Holland

Vira Baldyniuk

The battle for democracy: why sensitivity matters
The battle for democracy: why sensitivity matters

Martin Milan Šimečka

Richelieu’s Odesa statue and Simone Weil: it’s all about care
Richelieu’s Odesa statue and Simone Weil: it’s all about care

Jean-Philippe Belleau

Ukrainian photographer Marko Zalizniak’s 1930s self-portrait
Ukrainian photographer Marko Zalizniak’s 1930s self-portrait

Anastasiia Kholyavka

“Grief”: the story behind an iconic World War II photograph
“Grief”: the story behind an iconic World War II photograph

Iryna Sklokina