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Empathy as a response to dark political forces: an interview with Agnieszka Holland
  • Conversations
Empathy as a response to dark political forces: an interview with Agnieszka Holland

Vira Baldyniuk

Richelieu’s Odesa statue and Simone Weil: it’s all about care
  • Context
Richelieu’s Odesa statue and Simone Weil: it’s all about care

Jean-Philippe Belleau

The battle for democracy: why sensitivity matters
  • Context
The battle for democracy: why sensitivity matters

Martin Milan Šimečka

Ukrainian photographer Marko Zalizniak’s 1930s self-portrait
  • Visual
Ukrainian photographer Marko Zalizniak’s 1930s self-portrait

Anastasiia Kholyavka

“Grief”: the story behind an iconic World War II photograph
  • Reviews
“Grief”: the story behind an iconic World War II photograph

Iryna Sklokina

Varvara Khanenko: a life nurturing a museum
  • People
Varvara Khanenko: a life nurturing a museum

Hanna Rudyk

Lagoons, dolphins and war in the Black sea: an interview with Ukrainian biologist Ivan Rusev
  • Conversations
Lagoons, dolphins and war in the Black sea: an interview with Ukrainian biologist Ivan Rusev

Anastasiia Ivantsiv

What’s clean water? Human knowledge, hardware and roses
  • Context
What’s clean water? Human knowledge, hardware and roses

Sophie Lambroschini

One day I'll go swimming in Odesa
  • Context
One day I'll go swimming in Odesa

Lucas Menget

A swimming pool in 1930s Lviv. Photographs by Włodzimierz Puchalski
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A swimming pool in 1930s Lviv. Photographs by Włodzimierz Puchalski

Roksolyana Holovata

A flow of change. The meaning of water in Ukrainian 1960s cinema
  • Reviews
A flow of change. The meaning of water in Ukrainian 1960s cinema

Anna Onufrienko

From Warsaw to Marseille and back: Julia Pirotte’s many journeys
  • People
From Warsaw to Marseille and back: Julia Pirotte’s many journeys

Grégoire Georges-Picot

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